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Overview of the Citizen Kane

overview of the Citizen Kane

total triumph, but it certainly seems strong as a whole. All he wants is love, affection that he lost when his mother (Agnes Moorehead) sent him away from home as a child. Lucy mentions that she has seen the film ten times and carelessly divulges the movie's revelation that "Rosebud" is the name of the protagonist's sled. For example, the stolen money. Dialogue sounded reasonably distinct and accurate, but much of the speech came across as somewhat brittle and edgy. Kane becomes a great success in the newspaper business and his wealth and fame increase. Hmm as I started to write this review, I felt as though I liked Kane but not in an enthusiastic manner. In the strip from July 31, 1980 Marcie the stewardess announces that the in-flight movie Citizen Kane is about to start.

Post Production includes four subsections. Picture quality looks remarkable for the most part, though it suffers from some minor edge enhancement, while sound quality is flat but very good for the age of the film. Ebert also filled his time better, as Bogdanovichs piece suffered from a few too many blank spots, and a modicum of his statements seemed obvious descriptions of the action on screen. Considered to be of no value, the sled is tossed into a furnace and burned.

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Where I think some people encounter trouble relates to the chilliness of the film. In a near repeat of the December 9, 1973 strip, Lucy starts to explain the significance of "Rosebud" to Rerun, only to be barry Sanders research paper stopped by an agitated Linus. Its a neat little addition, and one that is easily enough located to keep its Easter Egg status from becoming obnoxious. Battle originally hit DVD on its own in the fall of 2000, and this disc exactly replicates that one; Warner Bros. In the strip from December 18, 1991, Larry tells Sally Brown that the Great Gatsby received a sled for Christmas when he was a child and called it "Rosebud". This contributed greater depth to the subject and brought some intimacy to the subject. A number of scenes showed halos, and these could be rather distracting at times. Kane opens up neatly through repeated viewings and reveals additional layers, just like a great film should. I thought these defects were oddly inconsistent; they seemed very heavy in some scenes but they were pretty much absent in others, which made me wonder how much of them were intentional and how many had cropped up over the years. Popularized by Hitchcock, that term describes something that seems to be a key to the story but which really has little or nothing to do with the tale. I dont agree with its selection as the greatest film ever made; if pressed, Id probably choose 1962s Lawrence of Arabia for that honor, and I dont know how high Id be willing to place Kane.